The field of live broadcast has dispelled the public's original stereotype of anchors and stars. 02 With media changes, it is inevitable for stars and anchors to coexist If we divide the Chinese idol (star making) industry into the 21st century as a time node, we will find that fans have always occupied the central position. However, the medium that carries the traffic is constantly changing. Before the 21st century, the Little Tigers and the Four Heavenly Kings were born, and the driving force behind star-making mainly came from the record companies or film and television production companies behind them.
After the 21st century, the power of star-making was gradually released into the hands of the mass media, which also gave birth to the four-wheeled idol industry or star-making wave in China. From 2003 to 2007, the era of TV draft represented by Super Girl Fast Boy. After 2008, a series of imitation Korean eras that imitated the Korean star-making model were launched, including sms marketing service Tianyu. Since 2012, local incubation and talent show variety shows have given birth to SNH48, TF-boys, Cai Xukun, Rocket Girls, etc. Almost parallel to the third wave, since 2014, the right to speak on the live broadcast platform has been increasing, and the leading anchors have become stars, such as the Modern Brothers,