But after the change of time and space, it became a "war of aggression and anti-aggression" between different ethnic groups between the Tang Dynasty, a Han state (in Chinese tradition) and the Xianbei. Only in this way can it better fit the nationalist narrative that Chinese people like. Finally, through the Chinese name "Hua Mulan" and the portrayal of Mulan's image, the film changes Mulan from Xianbei to Han Chinese, and chooses Liu Yifei, a Chinese American (assumed to be Han), to further interpret Mulan's story as "Han" s story.
Therefore, the result of the whole change is to color correction services rewrite the story of "the internal war of the Xianbei people between the Xianbei countries" into "the Han people in the Han people's country resisting foreigners", and then interpret it as a nationalist narrative of "the Chinese resisting foreign aggression". Of course, there is one point worth mentioning. In theory, Chinese are not equal to Han, but in China, it is a broad practice to equate Han with Chinese, and there is no need to discuss it here. This of course caters to the Chinese market and makes economic sense, but it also brings some cultural doubts.
First of all, although the Xianbei people are the name of the ethnic group in history, there is no ethnic group called the Xianbei people now, but this does not mean that they have no descendants and close relatives now. The endless stream of tourists in Siem Reap, the influx of real estate developers in Phnom Penh and the casino street in Sihanoukville have become the three most famous scenes in Cambodia. With the rapid development of ASEAN in the past few years, Cambodia, the "cursed country" in Joel Brinkley's mouth, seems to have stepped out of its scars and entered a new life. Cambodia's economy is growing at more than 5 percent a year, despite continued corruption and landmines from the civil war.